The Ancient Solfeggio Frequencies

What Are The Ancient Solfeggio Frequencies?

These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentleman for the part they've played in helping return these lost frequencies back to humanity.

The Six Solfeggio Frequencies include:

UT 396 Hz Liberating Guilt and Fear
RE 417 Hz Undoing Situations and Facilitating Change
MI 528 Hz Transformation and Miracles (DNA Repair)
FA 639 Hz Connecting/Relationships
SOL 741 Hz Awakening Intuition
LA 852 Hz Returning to Spiritual Order

For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA the genetic blueprint upon which life is based!

A Little History

At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.

Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as "genetic gibberish." Is it possible that most of who we are still lies dormant as our human potential?

In the old paradigm of religion, "potential" remained a mystery to the human mind, therefore we coined a mystical term called "SPIRIT." "Spirit" was something that was detached from who we were, something we didn't have and could only be gained through the systems of most religions.

The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.

Being a student of "A Course In Miracles" in the late 80's, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I read a quotation by Albert Einstein which stated: "Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter." I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, "The Divine, is in me"- makes "me" separate from the Divine. May I suggest a shift in the saying to: "The Divine, AS me" to remove the separation.

As we move from genetics and concepts like Soul, "Soul Mates" and "Soul work," we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory - The Theory of Everything) there are no boundaries. There is no "this" or "that;" no you or me. It is a pure field of awareness consciousness. I solved the dichotomy about "we are not our body" by changing my perception of genetics to energetics - realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.

Repairing DNA

I was first introduced to DNA in 1988 when I was going through a transitional period, during which I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent, (which I thought at the time, was rather boring), and I didn't understand what he was talking about. Then all of a sudden, as I was ready to turn it off, he said: "Quantum physics has found that there is no empty space in the human cell, but it is a teeming, electric-magnetic field of possibility or potential." That's all he said! But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING and I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming "as an empty bowl." Eastern Religions (including the Bible) refer to it as the VOID The Nothing that is EVERYTHING The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak Chopra.

I had never heard of Deepak Chopra in 1988, as he was just coming on the scene about that time. I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect, I would call my response to that statement a "cellular memory experience." We know that intelligence is stored within the cells of the body, and when the right resonance comes and releases that information to become inherent information or inherent KNOWLEDGE that comes from the true Self. That is why so many of us seem to jump form one stimuli to another looking for what will resonate in us.

The work being done today with energy at the cellular level really excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a part of the collective consciousness when CNN produced a special on the Genome Project in 2000.

As I pursued my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops, an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument and play a "C" and then, in the DNA workshops we would be able to repair DNA."

Well, it wasn't that simple, because I discovered that the regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C" of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today. Later, we will explore that difference between how we create music today vs. how we used to create it, and how that simple change has made all of the difference in the world.

How I found out about the Ancient Solfeggio Frequencies

I found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic frequencies called the Original Solfeggio Scale through the book "The Healing Codes of Biological Apocalypse" by Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful experience that some would suggest was mystical. These frequencies are not something new, but they are something very old.

I shared the information about these frequencies with a musician friend who had a studio in her home. After reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation music. She was also in touch with Jonathan Goldman (author of the book, "Healing Sounds") and he knew of these frequencies, and was using them in some of his music such as "The Lost Chord" CD. Aryiana requested that he have the tuning forks made for her to research the frequencies. I asked if she could also have a set made for me.

After I received the tuning forks and began talking about them around the country, I noticed that people were resonating with the information about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically to this information, and yet I didn't know what I was going to do with the tuning forks. Then people began to ask if I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique began to develop. I called the technique SomaEnergetics TM, which is designed to utilize the optimum energy of the Solfeggio frequencies using tuning forks. Soma, meaning "body" in the Greek, combines the wholistic idea of the body as an energy field - SomaEnergetics TM.

When starting these first tunings, the main frequency that I knew the most about was 528 Hz that biochemists are using for DNA repair. I realized that the right side of the body is controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru the Mother's side or Father's side of the chromosomes. I would many times get a tremendous imbalance in the sound between the two sides. The purpose of energy work, as many of you know, is to attain balance. For example, if everything is in balance, such as the ph level, the physical body can heal more naturally. It's the same way in our energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization into the rhythm of the dance of life then healing becomes the natural state. It's nothing supernatural, or miraculous. I think a lot of spiritual texts have referred to this idea when they describe, "going home to heaven." Heaven, to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other words, being in a state of at-one-ment.

When I would continue to do the technique, the sound would begin to even out between the male and female sides of the body, and the client would indicate they were "feeling" a shift. As that would occur, I was totally amazed, and asked myself, "What is happening here?" Although I've been a speaker of spiritual things for over 40 years, I can't tell you that I've been the most intuitive person in the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in working with the client, I stopped "doing" the tuning forks (being the initiator of the technique), and they started "doing me" seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies, I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate modality.

Energy and Relationship

Everything is relationship. I remember Dr. Fred Wolf, who is a physicist stating on a tape "Everything is consciousness." He further noted, "When you are observing an object, on some level the object is observing you." As I listened to that statement, I thought it was strange. I then realized that because something doesn't have a human consciousness, as I do, that doesn't mean it doesn't have it's own consciousness. Apparently, observing something changes it on some level that the observer, and the observed are one.

I treat the Solfeggio tuning forks as a conscious "entity." They are energy, they're vibration, they're frequency the client is vibration, frequency and energy I am vibration, frequency and energy. All of that coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus on using the Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and the astral.

Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well).1

In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi's discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each othersuch as 1:1, 1:2, 1:3 and so on.2

The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration." The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm

Jenny concluded that were examples of cymatic elements everywhere "vibrations, oscillations, pulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions" and they effected everything including biological evolution. The evidence convincingly demonstrated that all natural phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical healing could be aided or hindered by tones. Different frequencies influenced genes, cells, and various structures in the body, he claimed.

Vibration of Music of the Spheres: "Every cell pulsates, reflects and interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it's own melody. The musical nature of nuclear matter from atoms to galaxies is now recognized by official science."3 In " Molecules of Emotion," by Candice Pert, Ph.D., she writes, " basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting for the right ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding each cell, and mount them binding with them and (tickling ) them to turn them on and get them motivated to vibrate a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing a vibration that rings a doorbell to open the doorway to the cell."

Poet Cathie Guzetta summarized this science best when she wrote:

"The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form."

How Did The Solfeggio Frequencies Get Lost?

I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious accessing insights beyond belief systems.

As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, "as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other." It's this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks it can be a way to direct energy for transformational purposes.

Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it's nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound whether it's chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.

When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the

"Can you decipher Mediaeval Latin?
Absolutely!
And you know the musical scale and everything?
Absolutely!
Well then, could you tell me what UT - queant laxis means?
After a brief pause, the Monsignor quipped, It's none of your business
Then he hung up."1

Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who "argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith."1 Moreover, Professor Apel reported that "one-hundred fifty-two chants were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio."1 Trust me, nothing is lost, it's just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.

According to Professor Willi Apel,1 "The orgin of what is now called Solfeggio...arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut" was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."

Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church's hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from God." In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the "secret ear." Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes."1

I'd heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from "The Sound of Music." I literally have a "brain cell firing" as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn't realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.

Looking at the definitions of each of the original syllables, using hidden entries from Webster's Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual order.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into "lost" hymns and Gregorian chants?

I think we are living in a tremendously wonderful time, and rather than seeing the glass as "half empty," I see it as "half full." Rather than accepting "CNN's perspective" of the world view, it's about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it's all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.

It's all about assisting other people. It's not to be their "Healer," but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with whether it's Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you've empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of "Spiritual Wholeness."

1 "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man's Cosmic Game" by Guiliana Conforto

The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.

When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, "These six numbers constitute a recipe for the universe." He adds that if any one of the numbers were different "even to the tiniest degree, there would be no stars, no complex elements, no life." (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho's great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.

Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the solfeggio, they are even more powerful as these combinations serve as "portals" to other dimensions!

Just Intonation 12 Tone Equal Temperament

As I observed earlier, another reason these Ancient Solfeggio frequencies became "lost" was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known as Just Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. "Essentially, music has been placed in a box of limitations" as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.

"Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison."

Just Intonation can be found in many of the great Fathers of Classical Music Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.

Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.

How these different types of tones affect our health

Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness all of which then tend to manifest into physical symptoms of "dis-ease."

This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.

Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html

Seichem~Living Light Energy

Seichim appeared in Egypt over 5,000 years ago, reappeared in Southern India and was perfected in Tibet.

Seichim is the original full-power Tibetan system for connecting with Living Light Energy.
Whilst Reiki is the Earth element, providing grounding and support, which is channelled. Seichem connects with the further elements of Fire (transformation), Water (deep emotional healing) and Air (spiritual connection, link with the angelic), in addition to the Earth element of Reiki.

Seichem is an ancient and sacred form of hands on healing and is said to be the Parent Energy of all hands on healing systems. It was rediscovered in the early 1980’s by an American Reiki Master, Patrick Zeigler who prayed, meditated and fasted to be empowered, much in the same way that Dr Usui did when he rediscovered Reiki. As confirmation of what he had been given, Patrick later met Marat, an old Seichim teacher from Southern India, who passed onto him the history of Seichem as it had been handed down to him by his teachers, and to them by their teachers.

Marat told of how Seichem originally came from Egypt. It was translated and transcribed from hieroglyphs by the Shin Yon Buddhists of that time and taken back to India and Japan. Seichem is the Energy of the Universe manifested through the feminine vibration of the Mother Goddess, known by the Buddhists as Qan Yin, and by the Egyptians as Sekmet. In ancient Egypt Sekmet was considered to be the Mother of the Gods, and was known as the Great One of Healing. Her magician-priests were the greatest of all healers, and her son, Nefer-Tem, the God of Physicians. In ancient Egypt the term "Sekhem" described "Power" or "Might", and so Seichem Energy also contains aspects which we do not necessarily associate with femininity - i.e. they are more traditionally male characteristics, so it therefore incorporates both yin and yang, (or perfect balance). This balance is the key to progress and enlightenment.

Seichem is a beautiful way of accessing the energy of the Great Mother, and a path to deeper self-realisation/empowerment. It balances and realigns the yin-female aspect of our being on all levels - physical, emotional, mental, and spiritual, and is an effective energy which can assist in dealing with many female health problems, such as, infertility, hormonal imbalances, PMT & menstrual / menopausal problems. It also re-adjusts imbalances on deeper levels of the psyche, e.g., lack of self-esteem, the need for / lack of nurturing, and especially self-empowerment and love.

Seichem takes you back to the very core of your being, enfolding you in the nurturing and healing energy of the Goddess and assisting you in re-establishing your contact with the timeless and secret wisdom of the Great Mother, which is the birthright of every woman; wisdom that has not been properly acknowledged for so long in our over male orientated society.

Seichem is not about power or dominance, it is about balance, harmony and unconditional love, as this is the only path to true enlightenment and spiritual unfolding. Seichem is a potent energy, and must be approached with respect and in a state of unconditional love. It cannot be entered into lightly, nor in an egotistical way. People must be prepared to put in time, patience and dedication if they wish to take this step, and must clearly understand that their lives will never be the same again once they have been initiated to Seichim energy. Seichim is not for the faint hearted, but the journey is exquisite once you have taken the step.

~Morati - An Altantean Priestess

~Morati - An Altantean Priestess~

"I walk into a vast room that is completely filled with beautiful crystals. Only the High Priest and I are present. I am wearing a fine transparent dress which is made of one piece of material but fastened on my left shoulder with a quartz crystal set in a round metal frame. My feelings are one of pure devotion.

The High Priest stands over to my right some distance from me. He does not move at all or even look at me. I walk further into that beautiful crystal room which is so full of light; it is LIGHT.

Walking forward and always keeping to the centre width of the room I walk up a few steps and at the top of these steps I unfasten my dress and walk forward unclothed, my arms crossed over my chest (right always over left).

In front of me are two huge pylons of clear quartz crystal; their top ends in a pyramid. They emit what appears to be 'streaks' of electricity.

Walking forward, between the two pylons, I face a large pyramid of crystal light. I walk straight into this pyramid, standing in its centre; my body stands in the position of the ankh.

I lay down straight out on my back but levitated a little from the floor. Gently up and up, my body is taken until it is levitating just beneath the apex of the pyramid. My body is left in that position whilst my soul is carried higher and higher until I find myself in the presence of our GOD.

All is timeless and the love surrounding me is absolutely indescribable!

When my soul is returned to my physical body I am lowered back down very slowly and gently. When my body is on the ground I stand up, my arms again crossing over my chest and I walk away from the pyramid, back through the pylons and up to the top of the steps.

I fasten on my dress and walk down the steps and over to the High Priest. He kisses the centre of my forehead and gives me a small clear crystal pyramid. I walk from the room.

I later see myself wearing the crystal pyramid on the centre of my forehead, held in place by a band on either side of my head."

..........Thus spoke Morati, a priestess from ancient Atlantis who lived in the period immediately before the great continent of Atlantis was destroyed.

Morati was married to Malacti, who was one of the senior priests in Atlantis. Morati was also the only daughter of Nermenatis, the High Priest. Nermenatis was very pleased when, at the age of fourteen, Morati came to him with the request that she be allowed to become a trainee priestess (neophyte).

Malacti was chosen to be her teacher and guide. She became one of his twelve students; six male and six female. Each tutor priest would only be allowed a maximum of twelve students at any one time.

'Morati' means devotion and that was how she saw her life - devoting her life and existence for the benefit of all those around her who needed her guidance, healing and counselling.

A little while after becoming a trainee priestess it was decided that Morati should receive extra knowledge and tuition and thus she became a personal pupil of Malacti. Teachings were now given to her on a one-to- one basis.

Let Morati continue her story:-

" I see myself dressed in white but this time I have over my dress/robe a simple white cape which reaches to about my elbows. Its clasp is a rather large round set stone in a design. It sits about four inches below my throat.

My teacher, Malacti, is instructing the students. I am one of them. We are all in a room which is not that large but is open, light and very peaceful. Standing, we observe what our teacher is doing.

A very thin man is laying on a white couch; he is there to receive healing. All at once the room is bathed in pulsating red light. I have the feeling that it is similar to a doctor doing his rounds in hospital - with students following him to observe and learn.

Malacti is wearing a quartz crystal about hip high which is pear shaped. The colour violet 'vibrates' from it.

Malacti and two other priests are seeing to a patient. He is lying on his back on a white couch. Malacti is standing to one side of him, the other two priests are standing opposite him on the other side of the couch. The three priests are all dressed in white, long sleeved, close fitting tunics (and trousers too). I am standing behind, watching. No one speaks......

I think that the patient has a growth on his left side, just beneath his rib cage. As I think this, Malacti tells me to come over and stand by his left side. I do so.

Malacti tells me that he is going to remove the growth by crystal laser surgery. There are some crystal lasers by his side. Malacti reaches up with his right hand and brings forward a long, thin, silver-coloured metal-like arm, with a crystal laser encased within it. This metal arm moves and stretches easily to reach whichever part of the body is being treated.

Malacti directs the crystal laser towards the growth for a few seconds only and then returns the crystal laser machine from where it had previously been. The patient is then taken back to his hospital room.

I am walking on my own along a lengthy corridor; it is built of beige- coloured stone.I feel as if I am below ground-level and I know that one of the walls has water behind it. I arrive at some stairs which rise up to a corner. I walk up these stairs and enter a very large hall. The roof of this hall is in the shape of a dome - it reminds me of a head - and the hall is full of water.

I walk to the side of the water and sit on a stone bench. Sitting there, so peacefully, with my thoughts and feelings so euphoric, the sense of dolphins fills my whole being.

The thought then enters my mind to lay down on my back. This I do and immediately I feel the presence of my teacher, Malacti. I can hear, see and feel him within my very being!

I can also see the water within the hall and I feel myself sink down into it and can feel it flooding all through me, yet holding me. Malacti says, 'Go deeper and deeper,Morati, let the depths engulf you".

I feel all this with my whole being, expanding into it, to be part of it, at one with it; of it. I see dolphins and they see me. We look within each other, the beauty of them. What they are fills me with such tender loving care and joy. I see them in the oceans and join them there.My mind can also see right through the depths of the oceans and connects with all life everywhere.

I follow Malacti's thoughts - he takes me to see the reflections of the water on the surface in the hall, how it reflects on the walls and the dome. I feel these reflections flowing into me and I into them.

Then they change, coming out at me from a dark centre, like swirling cyclic forms. I am now out in the darkness and stillness of all space but in that dark stillness I am conscious of my mind for I am all in my mind; it's focussed through my forehead and this power is taking me in my mind through space, it is so effortless, yet so very powerful, stretching and reaching out and yet so very beautiful.

Malacti tells me, "Use your brain waves as a transmitter and receiver, to reach to the furthest planet - go beyond the barrier of your mind,Morati".

A sense of incredible wonder, peace and tranquility envelops my soul and I am so very happy.

Gradually I feel myself returning to my physical body. I stand up and walk out of the hall, walk down the steps and go back down the corridor from whence I had come.

I see a picture of the inner circle of the Nazi party that had been in Germany. They wanted the knowledge of what had been understood and achieved in Atlantis.The nazis wanted to be able to control the forces and the power which could be used by them for their own evil and corrupt purposes.

I was shown this vision so that I could better understand what could - and would - happen if this special knowledge and power were to fall into the wrong hands!

Malacti and I are sitting on a stone bench in front of a machine (it's not that large) which looks very similar to one they have in your Eye hospitals; where you look through the machine so that the doctor can check on the healthy condition of your eyes.

Malacti tells me to look into this machine. I do so and see a brilliant white light. When I take my eyes away from the machine Malacti asks me what it was that I saw.

I tell him, "white light".

He then shows me, without the machine, what I was looking at. The letter G. Malacti points his finger at the centre of the g's circle. He says, "Look, stare, into its centre, within its circle is the white light, wherein is held the truth. The lines which surround the centre of the white light of truth are but the outer edge. Don't become caught up in trying to read these lines. Always remember to look through and pass the outer lines to see within the Centres within which are held the brilliant white light of Truth.

Walking into the Temple of Healing, the High Priest greets me. He then gives me these words:-

RA MA TI RA

TI RA RA MA

He tells me to speak these words and to practise them. They are the beginning. Their meaning is:-

Everything Sacred is Blessed,

Everything Blessed is Sacred.

I then leave the Temple of Healing and make my way back to Malacti as it is time for his hospital rounds. Before we start on these, Malacti tells me that tonight I must meet him at one of the Temples at nightfall.

It is night. Everything is bathed in moonlight. I am walking, making my way to where Malacti said that I was to meet him. As I walk I notice the moon is full. It hangs over the water, leaving a path of silver, shimmering up to it.

I walk into a small room, there are no lights. Just moonlight. I undress and walk down a few steps into a pool of beautiful scented water. I lay in this water for a few minutes, then get up and walk up a few steps on the other side of the pool. I dry myself. There is a garment there for me to wear. It's a fine transparent shift/dress,all shot through with silver; it shimmers in the moonlight. I put it on. As I walk out of the room I can see an opening (as a window) where a clear crystal sphere balances on a silver stand. The moonlight pours in on it.

I enter into a hall of rock and immediately feel the presence of Malacti. There is no lighting but the hall is full of moonlight. The roof is open to the sky, with the moon directly above it.

In the centre, directly underneath this open roof, lies a lovely clear quartz crystal, rectangular in shape. It is placed lengthways, facing a large clear quartz crystal sphere. As this crystal sphere is further back, it is more within the darkness but its light shines up out of that darkness.

I walk up to the crystal rectangle and lie upon it on my back, with the crystal sphere behind my head. I see and feel myself on the water in a canoe-shaped boat. I am on that path of silver and flowing up to the full moon. As I get nearer and nearer the silverness becomes more and more intense until the boat is taken into it and I am standing upright facing the moon and flowing into it with my arms outstretched in the position of the ankh.

Entering the moon I am held within in total silence.I see and am aware of her cycles. Being gathered into her vibrations I feel my whole being at one with these pulsations. I am being drawn out and drawn in on these vibrations as a current.

Then all at once I am completely drawn into the moon as an inbreath and then on an outbreath, every atom of me is exploded into - and with - the silver. I feel my eyes have turned to silver and my sight has become full of silver radiance.

Within my whole being I now become aware of being bathed in all the sun's rays and how the moon reflects his glory! Feeling this exquisite beauty I gently come back on the moon's rays and into my body.

I know that Malacti is standing next to me. I feel him direct my attention to the large crystal sphere. I rise from the crystal rectangle and walk up to the crystal sphere, standing before it and looking straight ahead into it.

I observe the crystal sphere as the moon. I see myself, and Malacti, standing very close behind me with his hands resting gently on my two shoulders. Malacti is seeing, feeling and knowing what I am seeing and feeling. As we stand there together, the awareness of the sun and moon fills my whole body and I can sense the polarity doing its work.

Malacti takes my hand and we walk from there together.

I am in a dark room, laying down on my back. Rounded forms of violet and green pulsate out of the darkness. I see and feel these within me. I feel myself coming out of my body, rising up in stages as a half circle, each a little jump from a crouch until I am standing upright in the darkness of all space and time.

I do not move. I hear the voice of Malacti, my teacher, saying, "Move.Morati".

I am totally aware of this darkness of space; all is held within. Again, Malacti tells me, "Move,Morati, travel from within". I am reassured by his very gentle voice.

Something 'clicks' inside the base of my skull, which sets off a forward and backward movement in that area - I am completely in that movement - it stops - I travel forwards, backwards, up,down, everyway. Malacti then says to me,"You see, Morati. the interdimensions of space and what is called time are all within your comprehension and understanding. Think laterally and you will understand everything."

I feel myself coming back into my body and once again adjust to being in the darkened room.

I hear the voice of Malacti telling me that we are going into an adjoining room to see some crystals. I get up and we walk in there together. Malacti tells me to choose a crystal. I do this and stand looking at it for a few moments whilst holding it in both hands. The crystal I have chosen is about nine inches long and about thirteen inches wide. Malacti says, "now bring the quartz crystal back with you into the darkened room."

I return to the dark room and lay down once again on my back and place the crystal at my left side, my left hand on top of it.

Malacti says, "What colour is your crystal?"

The colour blue 'vibrates' within my mind's eye. I can see and feel it vibrating inside me.

Malacti then places a small transparent crystal which is in the form of a pyramid onto the centre of my forehead.

I am immediately projected out into the darkness of space. Into this darkness, in lines of light, a square is formed, as fast as lightning! Four times four the square is formed. Four times into one. I am now in the centre of the square on its surface.

Fire enters the square. I ask, "Who lives within?" A living form comes out of the fire, saying, "I live within," I enter the fire.

Water enters the square. I ask, "Who lives within?" A living form comes out of the water, saying,"I live within," I enter the water.

Air enters the square. I ask,"Who lives within?" A living form comes out of the air, saying, "I live within," I enter the air.

Earth enters the square. I ask, "Who lives within?" A living form comes out of the earth, saying, "I live within," I enter the earth.

I hear Malacti saying," you have entered into all of these to see, hear and feel, in all ways, the elements and elementals within the inner core of life itself. The heat, the pressure,the lightness, the density, your voice, Morati,the interdimensions of time and space; so much you have to learn and understand.

I am your teacher and I will show you many wonderful things in the fullness of time and space. As you learn and experience so your soul will evolve and you will become at one with the universal Godhead,the creator of all being and life itself.

I now see a crystal projected before me into space, its radiance set against the darkness; its shape is like one of those spinning tops which children play with.

I feel myself coming back into my body but on the instant second before I fully return I see myself in miniature, all light in an oviform.I hear Malacti telling me that all is well.

Malacti and I are walking together out in the open. We stop before a huge stone pyramid. There is no visible entrance. We concentrate our minds in harmony and unity. Malacti then places the flat of his hand against the wall of the pyramid and part of the pyramid wall instantly slides up to make an entrance for us. We walk inside and make our way down some steps and into a largish room.

We are in the Temple of the Crystal Pyramid. We kneel. The High Priest stands behind us, his hands palms outwards to his side. We see a small pyramid somersault out of a larger pyramid. It then comes straight at us, circles us and from beneath us to above us we are drawn within it and are taken into a huge crystal pyramid.

I see incense smoke rising. I am in a hall of rock. The incense is placed in the four corners of the hall - north,south,east and west. In the centre of the hall, standing upright, is a huge crystal laser wand.

I kneel before this laser wand and am showered from above my head through and down every part of my body by crystal showers of star light. My whole being vibrates with the sheer intensity of these crystal showers of star light. My thinking, my vision, my feelings, my thoughts, are all filled with purification!

I fly up and out of my physical body, my head pointing upwards leading the way; my body is straight out - I am a straight point!! Flying upwards, as straight as the laser wand, I feel as though I have 'grown' my own wings! Up and up, into the darkness and stillness of space, I fly, my head still pointing upwards.

I can see planet Earth and I fly around and around her several magical times. I can still feel and sense vast enormous wings attached to my body.

I float gently back to Earth and back into my physical body.

I kneel.

As I kneel a laser wand is placed into my two hands by unseen hands.

I can see projected before me; a laser wand, a sphere and a pyramid. These are represented by:-

PROGENITOR - laser wand

INTO - sphere

ASCENSION - pyramid

PROGENITOR INTO ASCENSION

I stand up and place my own laser wand at the base of the huge laser wand. I stand back. Then into my hands are placed a crook and flail. I stand, holding these with my hands crossed over my chest; the crook in my left hand and the flail in my right hand.

I pick up my own laser wand and holding it firmly in my cupped hands, I walk right round the huge crystal laser wand, and past the smoking incense. All this time my laser wand is held within my cupped hands which form the movements of:-

RA MA TI RA

TI RA RA MA

Everything Sacred is Blessed,

Everything Blessed is Sacred.

I enter a vast room. I am wearing a fine transparent shift/dress which is all shot through with gold. I hold before me a gold tray on which is a clear quartz crystal pyramid.

As I walk forward into the room the feeling everywhere and in everyone is of absolute devotion and dedication. As I walk, carrying the gold tray, the crystal pyramid is full of light; it lights up the gold tray and the gold within my dress.

Walking straight ahead, always keeping to the centre width of the room, I reach a huge crystal pyramid. I take the crystal pyramid from the gold tray and place it at the right front corner of the large crystal pyramid. There are now four crystal pyramids at its base, two in front and two behind (to form a square). These are also symbolic.

I walk back some distance and kneel with others. I am next to Malacti. We all face the pyramids which are of such brilliant white light. We are all taken within its heart to share and to appreciate the tasks which are yet to come.

I know that the crystal pyramid I placed at the base of the huge crystal pyramid is symbolic of Egypt.

I walk into a very light room. The High Priest, Nermenatis, my father, is there waiting for me. We put our arms around each other, holding one another in greeting.

We both sit facing each other to talk. The High Priest says, "Morati. you are happy in your training and I know that Malacti is a very fine priest and an excellent teacher. When you were born to us you incarnated in the feminine form. Later you will give birth to a son of our line. His destiny is to be High Priest when he is a man. But that is not yet.

You will soon be of age and there are things that I am going to teach you myself. Not because you are my daughter, for if you were not worthy it could not be. Later, when you are ready and the time is right, I will teach you the words of power - the sacred words. Now go within to the Temple of Light."

We stand and walk ahead into the beautiful crystal Temple of Light. Straight ahead I walk, keeping strictly to the centre of the Temple. I walk up seven steps, through the crystal pylons, and into the pyramid of crystal light. Standing within this pyramid my body is in the position of the ankh.

Two beautiful angels place themselves on either side of me and lift me up into space, higher and higher. I am carried by them out through the apex of the pyramid. I am now standing on top of the pyramid. I look at the pyramid very closely. It is made of stone and has been constructed in the same way as the Great Pyramid of Egypt several thousands of years after my last incarnation in Atlantis. I am in the darkness and stillness of space.

I find myself on the hand of our GOD; his beauty and love fill my whole being.

The two beautiful angels return and gently carry me back down into the pyramid of crystal light. I stand with my arms crossed over my chest and then walk from the pyramid between the pylons and back down the seven steps.

I see the High Priest waiting for me. He beckons me to an inner room. Within this room is a large rectangular crystal, shaped like an altar. I lay on my back upon it. The High Priest waits, just outside the room.

I rise out of my body into the darkness of all space and time. I can see all the planets and stars. Within me I am filled with all their vibrations. My heart is full of ecstasy and wonderment.

I come back into my body and feel as if the High Priest is standing at my side although I know that, in all reality, he is out of the room.

I hear the voice of the High Priest saying, "Now, go straight to Malacti,your teacher".

I rise and make my way to Malacti.

I enter his room and find him standing, expecting me. His attitude is different from what I have known before. He walks towards me and takes my two hands in his. I look deep within his eyes as we hold hands.

Malacti says to me, "Morati, it is time for you to start working with me in the Temple. Let us go there together now."

We walk from his room and make our way to the Temple. Coming to the many steps which leads up to the Temple entrance (it's built very high up!) we start to climb.

I sense Malacti saying to me, "Be aware of us being in perfect accord,Morati." We tread each step in perfect time with each other. I m on his left side.

We enter the Temple and turn to face each other. Malacti again holds my two hands in his two hands (one hand in each) and I look deep within his eyes. We turn to face into the centre of the Temple, standing side by side. I am still on Malacti's left side.

We walk ahead, our arms crossed over our chests, up the seven steps leading to the two crystal pylons. We pass the crystal pylons and walk into the beautiful pyramid of crystal light. We both kneel, side by side, under the apex of the pyramid in humility and devotion.

We stand and face each other. I put my hands into Malacti's. We look into each other's eyes; we kneel in this position and cross our arms over our chests. I place my hands back into Malacti's and we stand completely still, facing each other, and looking into each other's eyes.

We are then told, by an unseen voice," you have both joined your hands in the work - the Divine work. Time will reveal the work which is to come."

At that moment, as in a flash second, we are taken into one another, our vibrations are totally merged and we are at onement with each other.

As we return to our own physical bodies we turn and walk from the pyramid of crystal light, with our arms crossed over our chests, side by side.

Malacti says, "we will now take some refreshments together, Morati."

At last the day arrives when I am to be initiated as a priestess

I am dressed all in white and I see myself standing in a hall all on my own. The hall seems to be built very high up. Before me are three steps. I walk up these to face a circular room.

Standing at its outer circle the thought fills my whole body and mind,"Am I really good enough?" This thought is so intense that it affects my whole being. And the, as if a wave rolls over me, the feeling comes to me that if I were not good enough I would not be here! Directly facing me is a large round crystal, very smooth and transparent. It stands central to the width of the room. Standing on the other side of the crystal, facing me, is the High Priest. There are priests to his right and to his left but he is in the centre of them. Malacti, my teacher, is standing to his right.

The High Priest steps forward, directly in front of the crystal. Again the same thought fills me, "Am I good enough?" and,again, if I were not good enough I would not be here, washes over me!

Looking into the eyes of the High Priest I feel his acceptance of me. Walking forward to the crystal to face its centre, I look deeply into it and see all our history, both past and that which is yet to come in the future!

The High Priest walks away from the crystal and stands to my right,still a little in front of me. Walking to my right of the crystal and around to where the High Priest had been standing, I walk straight ahead, with the priests both on my right and on my left, with my back to the crystal; deeper into the room - I walk alone.

I see a circular opening in the ceiling. I stand directly beneath this opening and am held in the most wonderful light. It holds me like a forcefield and whilst I am within the forcefield I give myself in humility and simplicity to the ONE who is ALL and in service to humanity.

The light then releases me and I turn and walk back to the High Priest who is standing back in his place but now with his back to the crystal, as are all the other priests. The High Priest and I press our hands together and I look into his eyes. He gives me my name, "MORATI," I look at all the priests and I know that I will always recognise them.

I then walk past the crystal, down the steps into the lower hall and then down more steps into a rectangular hall. My feelings and desires now are to get on with the work.

Now that I have looked into the crystal - and seen what is yet to come - I also know that I am to leave Atlantis before it is destroyed. I know that I am soon to be married to Malacti and that when the time comes for our beloved Atlantis to be no more, we shall both 'travel' to Egypt where it will be necessary for us to use our knowledge to start a new civilisation.........

I also know that after Atlantis the full knowledge that we possessed will never be used again, as the conditions in our new land of Egypt will be completely different from what we have been used to in our days in Atlantis.

When the time comes for the final and ultimate destruction there will be those who will not be allowed to leave Atlantis. They will be held back by THE WORD.

Those who do leave will do so through tele-transportation.

Our dear Timekeeper Crystal (some people call them Earthkeeper Crystals) is still so beautiful and so peaceful. It still stands, as on guard, in the entrance to the ruins of our lovely Atlantean Crystal Healing Temple. Fish swim around it, deep within the depths of the ocean.

Such a powerful energy, such tender yearnings and so many very happy memories that I have. One day, in the not too distant future, our dear,our very dear, Timekeeper Crystal, will once again be used for the benefit and love of all mankind!!

~ThothWeb -